Tuesday, January 21, 2020
Religion in American Film Essay -- Essays Papers
Religion in American Film Americanââ¬â¢s nation-wide did a disbelieving double take when they were heard that Jim Carrey was going to be playing the role of God in Universal Pictures summer 2001 movie Bruce Almighty. Millions of Americanââ¬â¢s have found themselves near-obsessed with the engrossing epic Lord of the Rings, Dogma has been welcomed into the Cult Films Hall of Fame, and Mel Gibsonââ¬â¢s The Passion stirred an overwhelming amount of religious, cultural, and ethnic criticism. When looking at the recent array of films that either present or suggest religious themes ââ¬â whether it be allegorically, evangelically, or satirically ââ¬â we find ourselves asking the question ââ¬Å"why now?â⬠Is the reason for this upsurge sociological, psychological, philosophical, or historical? Is there perhaps a political or economic reason as to why Americanââ¬â¢s today are so eagerly consuming films that are looking at the timeless battle between good & evil, questioning organized belief s ystems, or presenting religion in new and contemporary ways? From critical analysis and research done on this subject, as well as much pondering and theorizing, it could be said that the question of ââ¬Å"why nowâ⬠is more philosophical, and value oriented, than anything else. The religious content that is present in modern American films is indicative of a more general discussion & questioning of values and resonates with the post-modern, religiously pluralistic mindset that Americanââ¬â¢s have come to embody. It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea... ...garet R. Seeing and Believing: Religion and Values in the Movies. Boston: Beacon Press, 1996. Johnston, Robert K. Reel Spirituality: Theology and Film in Dialogue. Grand Rapids: Baker Academic, 2000. Stone, Bryan P. Faith and Film: Theological Themes at the Cinema. St.Louis: Chalice Press, 2000. Valenti, F. Miguel. More Than a Movie : Ethics in Entertainment. Colorado: Westview Press, 2000 Detweiler, Craig, and Barry Taylor. A Matrix of Meanings: Finding God in Pop Culture. Grand Rapids: Baker Academic, 2003. Putnam, Robert D. Bowling Alone: The Collapse and Revival of American Community. New York: Simon & Schuster, 2000 http://www.hollywoodjesus.com/bruce_almighty.htm For the purposes of this study, it is helpful to look specifically at the way in which Christ and Christianity are being presented, through the various methods, in contemporary film.
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